During SOL testing, I spent three weeks as “art on a cart.” I was aware going into it to it that it would be challenging, but also temporary, and I knew that I could make it work*. During my brief time on a cart, I learned some useful lessons.
Keep the mediums to a minimum. I knew that the only way I could survive having limited access to my room and my supplies, meaning no restocking the cart during the day, was to limit the different mediums I used. Thankfully, I planned ahead and timed stitching and weaving to occur during SOL testing. My first three classes worked on stitching and weaving, and my last two classes of the day worked on various different paper strip projects. With careful planning and a well organized cart, I was able to have all of the supplies I needed for the entire day on one cart. This definitely wouldn’t have been possible had I been using multiple mediums throughout the day.
Do not assume students will have basic supplies in their classrooms. I made a point of checking with classroom teachers to see what kind of basic supplies students had in their desks (pencils, crayons, scissors). Thankfully it worked out that students already had these supplies, so I didn’t have to worry about hauling them to the classroom myself, but I’m sure it’s not always the case in every classroom, especially at this time of year. Unfortunately, I neglected to think of myself, and was left scrambling for basic supplies while demonstrating the project to students. Evidently, not all teachers keep a small bin of Sharpies, pencils, a pair of scissors, a ruler, crayons and a glue stick on hand for demonstrations. Who knew?
My house, my rules. I have done a lot of subbing in my time. When a sub is present, many students have the knee-jerk reaction of who are you to tell me what to do? Feathers can get ruffled, chaos can ensue. It’s expected when you’re a sub. You’re on their turf, there’s going to be a bit of a power struggle. I did not expect this to happen while on a cart, but it did. I naively thought I could seamlessly carry my art room rules into the students’ classroom. I was wrong. Like art teachers, classroom teachers work hard to build routines. They have their own rules (or lack thereof). Students learn, in this room, we do things this way. In one particular classroom, I found that the classroom teachers’ rules were a little more loosey goosey than mine. All of a sudden I have students getting up to get drinks or use the bathroom without permission, “but, Mrs. Carter** let’s us…” I found it difficult to establish authority in another teacher’s room, although I already had it in my classroom. It was especially difficult if the teacher remained in the room during art. It was an unexpected challenge.
A change of scenery can do you good. The above scenario wasn’t the norm for my experience on a cart. I was fortunate to have access to the SACC room during testing. The unfamiliar location worked to my advantage. You know how at the start of the school year, the students are a little timid, unsure, and on their best behavior for the first few weeks? The same happened while we were in the SACC room. It was fabulous. The change of scenery was exactly what we needed to reset some of the bad behaviors/habits that had developed (theirs and mine) throughout the year in my art room.
If you pile it high enough, it will fall. A stack of 12 x 18″ paper on top of a bin of Play-doh on top of three bins of paper strips and scissors on top of 30 paper weavings on top of two boxes of stitcherys on top of a dish rack of cardboard loom weavings*** on top of a rolling art cart equals disaster. Lesson learned.
Art on a cart = sympathy. I’ve never received more sympathetic looks from other teachers than when I was wheeling my towering art cart through the halls. Okay, maybe when I was seven months pregnant in the sweltering 90 degree temperatures of June, waddling all the way across the school with a cart of clay animals to put in the kiln, but still, being temporarily demoted to art on a cart will garner looks of sympathy from others.
Kids are flexible. I was afraid that I would be disadvantaged by my lack of supplies while on a cart. Especially when I thought of those two dreaded words every art teacher hates to hear, “I’m finished.” In my art room, students have a variety of supplies and activities available to them when they finish early. In my art room, they were used to having multiple options for adding color to their work, crayons, markers, colored pencils, oil pastels… While on a cart, early finishers had one choice, free draw with crayons. That’s it. I was fully prepared for a mutiny, but the uprising never happened. Turns out, when you tell students that this is what you can work on, and they see that there are no other options available, they’re totally okay with that. Really makes me wish I didn’t have open shelving in my art room as my only storage option.
Art on a cart isn’t the end of the world. I survived art on a cart for three weeks. Would I want to do it for an entire year? Probably not, but it wouldn’t be the worst teaching scenario I’ve been in over the years (that honor goes to the two years I was in a windowless, ventless, octagonal room with less usable square footage than the living room in my townhouse). I could certainly make art on a cart work. Don’t tell my principal I said that.
* I use this phrase multiple times during the school day. My students don’t really get it. Proof that I watch too much Project Runway?
** Name has been changed.
*** Just before my art on a cart experience, I discovered a few dish racks in our supply closet. I was pleased to discover that the cardboard looms I use slide (almost) perfectly into the drying racks. It makes storing the weavings much easier and neater. I place a small label on the lefthand corner of the looms where the students write their names. Then we “file” them on the racks, and they can easily pick their work out. You can see the racks in the picture above.